iFotoGuide: Grand Canyon Now Available!

Dan and I were fortunate to partner with former Artist-in-Residence at the Grand Canyon, Adam Schallau, to create our latest iFotoGuide app for the iPhone/iPod Touch.  Adam’s intimate knowledge of the many locations and moods the Grand Canyon has to offer, both on the North and South Rim, virtually guarantees that your next photo trip to the park will be the most productive one yet.

iFotoGuide: Grand Canyon is filled with useful content and inspirational images.  The app is designed to help you plan your entire trip, from selecting lodging, renting a car and finding a good place to eat all the way to the really good stuff – where to set up your tripod, when to be there and what equipment you’ll need to create dynamic images.  As with all iFotoGuide apps, it is fully interactive and allows you to access critical information in several ways.  We’ve even stuffed a full park map into the app with zoom and pan capabilities!

Visit the Apple iTunes App Store to download iFotoGuide: Grand Canyon for your iPhone or iPod Touch today.  At only $4.99, it’s significantly less expensive than your average guidebook!

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Read more.. Wednesday, August 4th, 2010

The Making of an Image – Forest of Ghosts, Wyoming

Some call me obsessive, others call me compulsive and I admit to both.  Over the last decade I visited Yellowstone National Park at least a dozen times.  Each time, while driving through the park, I passed a forest of ghostly trees whose trunks were bleached and faded from acidic hot spring runoff and intense alpine sun.  Each time I thought, “Hey, that’s a really cool location and one day you should stop and see about making an image of the place.”  I’ve had this image in the back of my head since my first visit almost ten years ago.  It has gnawed at my brain for damn near a decade.  Finally, a couple weeks ago, I decided to do something about it.

Early June, 2010 I decided to pack up my truck and head north for a two week road trip in the greater Yellowstone area.  This was my opportunity to make the image I’d been visualizing all those years.  It would require an overcast day, ideally some mist or fog, and a little luck in finding a successful composition.  Why luck?  This forest is literally right off the road.  The shoulder is about a foot wide, then it drops a couple feet into a meadow that is filled with runoff from hot springs where the rangers and common sense tell us we shouldn’t walk.  If you’ve ever been to Yellowstone you know that any person with a camera on a tripod attracts the attention of motorists, many of whom are driving rented RV’s that they aren’t used to driving.  When your ass is hanging over the fog line and you’re peering through the viewfinder with cars and RV’s speeding by you’ve got to be a little bit lucky to find a composition and avoid becoming roadkill.

When I arrived at the location I parked my truck in the only pullout I could find nearby which ended up being about 1/4 mile away from the ghost forest.  A short walk later and at last, there I was, standing before these beautiful but wretched trees with camera in hand.  The sky was uniformly grey but there was no mist or fog lingering amongst the trees.  Win some, lose some.  I scoped out the area and tried several compositions.  There was a small creek doing a gentle “S” curve through the trees.  Nice, but not it.  Then I found a section where the trunks were more spread out and the water was deep enough to catch some reflections.  Cool but still not what I had in mind.  I zoomed in, I went wide angle.  I just wasn’t feelin’ it and I was starting to get frustrated.  I had to keep telling myself that the image was here and that I just hadn’t yet found it.

After 30 minutes or so I started walking back to my truck with my head hung low.  I had failed.  The image wasn’t there after all.  Surely if I were a better photographer I would have realized my vision!  As I passed the end of the ghost forest I looked back over my shoulder for one last farewell glance.  What did I see?  The image!  Given a bit of distance the trees seemed to huddle closer together, presenting an almost abstract form.  There were the strong vertical lines, the somber color palette and seemingly infinite assortment of stark tree trunks.  I knew a longer focal length would compress the scene and make the trunks really appear to be stacked one on top of the other.  I quickly set up my tripod and went to work composing an image.  It didn’t take long and I had almost exactly what I’d been after all this time.  I made the image with the intent of cropping out most of the foreground to create a panorama, which would also contribute to the semi-chaotic and abstract nature of the trunks.

What’s the lesson here?  First, keep good mental notes.  If you see something that has potential but you don’t have the ability to work it right away, remember it.  Better yet, keep a “wish list” in a notebook, on your laptop or in your iPhone.  Second, don’t give up if at first you don’t find what you’re looking for.  Keep at it.  Dedicate yourself to working the location.  Lastly, when you do give up, don’t forget to look over your shoulder as you walk away.  You just never know when the photo you envisioned is going to decide to reveal itself to you.

Got a story to share about an elusive image?  Leave a comment and feel free to link to the image.  Maybe all our stories of the one that almost got away will inspire someone to go out and make some art!

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Read more.. Wednesday, June 30th, 2010

Unleashing the Mad Scientist Within

Tonight I feel a bit like a mad scientist.  For some unknown reason I got an itch to try something totally new in Lightroom and Photoshop.  I made this image of bison grazing in the meadow at Mormon Row in the Tetons while there a couple weeks ago.  Straight out of the camera the image wasn’t terribly exciting but I felt it had potential.  Those of you who are familiar with my work know that my images are generally pretty straightforward.  I don’t apply creative effects and I process the images to look more or less like the scene did when I photographed it.  A little tweak of contrast here, add some saturation there, darken a sky now and again and do a little dodge and burning – voila, the final image appears.  I have nothing at all against images that have been heavily manipulated.  Photography is an art and we should feel free to create our art on our own terms.

Now, I have obviously taken some serious creative liberties with this image.  For starters, my camera doesn’t make square photos.  I used a fairly heavy digital grad filter to darken the sky with a heavy dose of clarity to give more separation in the clouds, added some global negative vibrance to mute the colors, made a curves adjustment to increase contrast, dodged the bison to make them stand out a bit more from the meadow, added a vignette and some “grain” – all in Lightroom 3.  I exported the image to Photoshop CS4 and experimented with different blurs using the gradient tool to keep the bison sharp-ish while blurring out the background.  I didn’t like the results of any of those efforts.  What to do?  Hmmm…

I decided to see what Nik Color Efex Pro 3.0 could do for the image.  I used their “Classic Soft Focus” filter first, painting on the effects only where I wanted them.  I was getting closer but something was still missing.  I tried a few other filters that didn’t work out before discovering the “Glamour Glow” filter.  A very subtle application gave me the results I was looking for, again brushed on sparingly.  I used Nik Viveza 2 to add some additional global contrast and whiten the whites.  The final step was to use Nik Sharpener Pro to sharpen only the bison.  What you see here is the final result of all that wackiness.  Total processing time: about 35 minutes.

I think one of the greatest attributes of digital photography is that it has opened up a whole new world of creativity, both in the field and in post-production.  When it doesn’t cost a penny to click the shutter most photographers are more willing to try new things, experiment with composition and stretch the boundaries of what they’re comfortable with.  Things get even more exciting in the digital darkroom with panoramic image stitching, HDR, blended exposures, an endless variety of filters and plug-ins, not to mention what is possible with nothing more than Lightroom and Photoshop.  And, if you don’t like the results of your weird science, it’s real easy to go back to square one and start all over!

What do you think?  Some have said this image is “too flat”.  Some simply don’t get it.  That’s cool.  Certainly, this is not the kind of processing that is going to appeal to everyone.  I’m just really curious to hear your comments as I really stepped out of my comfort zone with this one.  Be as harsh and critical as you dare.  I’m a big boy and I can take it.  What have you done to experiment and broaden your creative vision?  Let’s hear some ideas!

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Read more.. Monday, June 28th, 2010

Making the Most of Bronchitis and Bad Weather in the Tetons

For many of us the Tetons are everything mountains should be.  They’re big, they’re rugged, they’re filled with wildlife that could eat you and they take your breath away the first time you see them.  Hell, I’ve seen them dozens of times and my heart still skips a beat every time they come into view which frankly doesn’t happen often enough.  I spent the first two weeks of June wandering around those mountains on what was supposed to have been a very active, very productive photography trip.  On the first day of the trip I developed a cough.  I spent the next two weeks hacking away like a 3 pack a day smoker, losing sleep at night thanks to coughing fits that even the strongest over the counter cough medicine couldn’t cure.  Upon returning home I went to the doctor, who informed me that the reason for my terrible cough was a full-blown case of bronchitis.

On top of contracting bronchitis, the weather in the Tetons was less than desirable.  It rained and rained and rained.  It rained so much, in fact, that it caused excessive snowmelt in the high country.  Excessive snowmelt combined with excessive rain creates flooding.  The Snake River and all it’s tributaries were raging like I’d never seen before.  Undeterred by bronchitis, flooding, overcast skies and incessant rain, I struck out on a few mornings with high hopes that something dramatic would happen during a lull in the storm.  And, one morning – it did.

That fateful morning I was headed to Oxbow Bend to photograph the classic sunrise scene we’re all uber-familiar with after seeing thousands of photos of this iconic location.  There were stars in the sky, something I hadn’t seen for several days.  Oh yes, something magical was going to happen!  As I drove along the road toward Oxbow Bend I noticed fog building in the valley below the peaks, which were also visible for the first time since I arrived in Jackson.  I found a spot along the side of the road with a majestic view of Mt. Moran towering over a meadow filled with willows and aspen trees.  I decided to forego Oxbow Bend for an opportunity to photograph something totally unique, if the conditions persisted.  Fortunately, luck was on my side.

As the sun rose it illuminated the broad slopes of Mt. Moran’s hulking shoulders lording over the meadow that was filling fast with statuesque elk.  Fog drifted in and out of the willows and began to rise, veiling the peak in a thin layer of translucent clouds.  As I stood there car after car pulled up and parked, and soon there were at least a dozen other photographers working this amazing scene alongside me.  It was the kind of morning I would trade a week worth of blue skies for, and for a few hours I almost forgot about my cough, my aching head, the oh-dark-thirty start and the persistent nasty weather.

I spent 6 hours photographing the ever-changing conditions from several different locations.  I only called it quits when my stomach reminded me that nourishment was necessary to keep my body moving and my mind semi-sharp.  Almost all of my images from the trip were made that morning as the overcast skies and spitting rain closed in again later in the afternoon.  Still, I feel fortunate to have witnessed such a dynamic display of weather and light mixed with a little bit of magic in one of my favorite places on the planet.  If it takes suffering through bronchitis for the opportunity to photograph those conditions again – bring on the cough…and the antibiotics!

I’ll share more images from the trip soon in the “New Images” gallery on my website.  Until then, I’d love to hear about your best experiences photographing dynamic conditions in one of your favorite places.  Leave a comment so we can all enjoy your story!

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Read more.. Wednesday, June 23rd, 2010

Cataract Canyon Whitewater Rafting/Photo Workshop – Who’s In?

I’m in the early stages of planning a possible four day whitewater rafting and photography workshop trip through Cataract Canyon in Canyonlands National Park to take place in May or June, 2011.  The trip would include all meals, guided boats, tents, etc. plus all the usual photo workshop stuff, i.e. instruction in the field, sunrise/sunset shoots, image critiques.  We’d also do some day hikes to interesting Native American ruins within some truly stunning side canyons.  At the conclusion of the trip we’d fly over Canyonlands en route back to Moab in a small plane.

At this point I’m just trying to gauge interest in the trip.  Pricing isn’t firm yet but will most likely be in the neighborhood of $2,500/person, all-inclusive.  This would be an awesome opportunity for a full-immersion experience that will require some degree of fitness and will provide you with opportunities to make images in a remote desert wilderness not often photographed from river level.  Cliche as it may sound, this is a once in a lifetime type trip.

I’m interested in hearing your thoughts and comments about this kind of trip.  Is the approximate price of $2,500/person fair?  What questions and concerns would you have?  What would you expect to get out of it?  Is this something you would be seriously interested in?  Please take a moment to leave a comment!

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Read more.. Monday, June 21st, 2010

Jackson Hole, Here I Come!

Hey folks,

In a few hours I’m headed out to Jackson Hole for two weeks of photography, hiking, camping and fun at our workshop June 10 – 13.  I won’t be active on the ol’ blog while away but I do have a post scheduled to go live next week.  Be sure to check back as it’s a good one.  Well, I think it’s a good one.  Guess I should leave it to you, my readers, to ultimately make that decision.

I’ll most likely post a short trip report here when I get home and have a chance to dig through all my images.

Until I return, may the sweet light be with you!

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Read more.. Friday, June 4th, 2010

Sneak Peek – iFotoGuide: Grand Canyon

Dan and I are almost finished building iFotoGuide: Grand Canyon!  We were fortunate to partner with tremendously talented photographer, former Artist-in-Residence at the Grand Canyon, and all around nice guy Adam Schallau to produce this guide.  Adam’s intimate knowledge of the Canyon’s many moods and locations combined with his breathtaking photos have allowed us to create a photography guide that virtually guarantees you’ll make amazing images on your next trip to the Grand Canyon.

We expect iFotoGuide: Grand Canyon to be available for download for $4.99 in the Apple iTunes App Store in late June.  This price includes lifetime updates that will include new locations, discounts on photo gear and services from some of the biggest names in the industry, and more.  All iFotoGuide apps function on the iPhone and iPod Touch.  You can learn more about iFotoGuide here.

Currently available in the Apple iTunes App Store are iFotoGuide: Arches (on sale for $2.99) and iFotoGuide: Yosemite ($4.99).

Here’s a sneak peek at what we’ve been up to over the last few weeks.

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Read more.. Wednesday, June 2nd, 2010

Grand Opening: Guy Tal's New Gallery in Torrey, Utah

It isn’t often you’ll find me using my blog to pimp and promote other photographers.  However, I just can’t *not* share this little nugget.  My good friend and fellow nature photographer Guy Tal is opening the doors to his new gallery at 135 E. Center St. in Torrey, Utah this Friday, May 28!   If I were you, here’s what I would do: I’d call in sick to work on Friday, pack up my truck with camping and photography gear, then head out to Torrey for the gallery grand opening.  After wandering through the gallery in awe of Guy’s gorgeous prints you will be filled with inspiration.  I’d probably buy a print or two to hang in my home or offer as gifts to good friends.  After that, I’d head on into Capitol Reef NP to make images all weekend before driving home on Sunday.

I’ve known Guy for nearly 10 years.  We first met online at the Nature Photographer’s Network, where he was a forum moderator.  I was an eager new photographer, posting my images alongside those of much more accomplished artists and asking for honest critique.  I am eternally grateful to Guy and former moderator Michael Gordon, as well as hundreds of forum participants, for helping me to become the photographer I am today.  So, you can blame all of them.  Since then I’ve spent some time exploring the desert with Guy and even had a random encounter at a trailhead in the Uinta Mountains back in 2006.  Guy’s passion for the natural world and his amazing body of work is a constant source of inspiration for me.  I really hope you’ll visit his gallery the next time you’re in Torrey.  When you do, tell him Bret sent you.  He’ll either smack you or offer you an ice cold beer.  Take your chances. :-)

Best of luck, Guy.  I know you and your gallery will be wildly successful!

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Read more.. Sunday, May 23rd, 2010

Moab Wildflowers, Part Two

Here’s a quick follow-up to my last post about the wildflower conditions around Moab.  No iPhone pics this time, though.  These images were all made within the last 3 days on my Canon 5D2 and are representative of the current conditions.  In short, lots of rough mules ear, paintbrush, lupine, sego lillies, daisies (both yellow and purple), penstemon, prince’s plume, desert primrose, globemallow and more.  Now is a very good time to visit the Moab area if wildflowers are your thing.

Here’s some motivation, if you need it:

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Read more.. Monday, May 17th, 2010

Video: Courthouse Towers 360 Degree Pano

Last weekend I skipped out for a sunrise shoot in one of my favorite areas of the park, Courthouse Towers.  I was hoping to find a healthy wildflower bloom but it’s still a little early.  Actually, it isn’t early but this year the bloom is all wacky because of the highly unusual weather we’ve been experiencing.  At any rate, I scrambled up to the base of the Three Gossips to have a look around.  The view was amazing!  I took out my iPhone and recorded a short, not at all image stabilized 360 degree panoramic movie from my perch high up above the valley.  Here’s what you see in the video, in order of appearance: Three Gossips, Baby Arch, Sheep Rock, Courthouse Wash and the end of the Great Wall (in the distance), the Tower of Babel, the Windows area (waaaaay out there), The Organ, the La Sal Mountains and finally Park Avenue.  My video editing skills are non-existent.  Please pardon the shaky video and lack of a catchy soundtrack.  It could be worse – I could have narrated during the whole thing.

Here’s the video, which I uploaded to my newly created Bret Edge Photography YouTube channel.  I have no idea what else I’ll post here but I do hope to start adding some fun stuff every now and then.  Enjoy!

[youtube=http://www.youtube.com/watch?v=UzmWdv8qQHY&hl=en&fs=1]

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Read more.. Thursday, May 13th, 2010
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